Dylan Sheridan is an artist and composer working across time-based performance and installation in
all manner of private and public spaces and platforms.
NP423 - Sheridan’s first solo show in a white-cube gallery context - is a modular environment of hacked,
circuit-bent and repurposed domestic objects. The work evolved from the idea and experience of
‘misophonia’ – an irrational and intense dislike of certain sounds. The interconnected objects
each express a cathartic transformation through the amplification and synthesis of the sounds and
things that irritate and ‘drive Sheridan nuts.’
As his previous sound-theatre works have evolved, automated sound objects and inventions have gradually
replaced human performers enabling Sheridan to begin to experiment with extended performance durations
and structures that are not limited by the needs of human performers.
While NP423 remains rooted in a time-based rhythmic structure, the singular details and events of
a linear musical narrative are combined into a sonic choreography of non-linear counterpoint offered
from the multiple vantage points available in a gallery space. This new context exposes the theatrical
façade of Sheridan’s oeuvre to reveal the ‘nuts and bolts’ of his creations under the omnipresent
scrutiny of the ‘white-cube’ and the random attentions of its audience.
This project was made possible by the Australian Government’s Regional Arts Fund, which supports the
arts in regional and remote Australia.